Course curriculum

  • 1

    WELCOME PACK

    • WELCOME, HOW THE COURSE WORKS
  • 2

    HEALTH AND SAFETY

    • HEALTH AND SAFETY MANUAL

    • HEALTH AND SAFETY EXAM
  • 3

    ANATOMY & PHYSIOLOGY

    • ANATOMY & PHYSIOLOGY MANUAL

    • ANATOMY & PHYSIOLOGY EXAM
  • 4

    SKIN TYPES & CONDITIONS

    • SKIN TYPES & CONDITIONS MANUAL

    • SKIN TYPES & CONDITIONS EXAM

  • 5

    HYGIENE & CROSS CONTAMINATION

    • HYGIENE & CROSS CONTAMINATION

    • SALON & PRACTITIONER HYGIENE

    • HYGIENE & CROSS CONTAMINATION EXAM
  • 6

    CONTRA-INDICATIONS & CONTRA-ACTIONS

    • CONTRA-INDICATIONS

    • CONTRA-ACTIONS

    • CONTRA-INDICATIONS & CONTRA-ACTIONS MEDICAL CONDITIONS
  • 7

    CONSULTATIONS, MEDICAL/CONSENT FORMS & PATCH TESTING

    • CONSULTATION, CONSENT, MEDICAL FORMS & RECORD KEEPING

    • PATCH TESTING
  • 8

    PRE-PROCEDURE & AFTERCARE ADVICES

    • PRE-PROCEDURE & AFTERCARE ADVICE

  • 9

    LEGAL REQUIREMENTS

    • LEGAL REQUIRMENTS
  • 10

    BEFORE AND AFTER WORK STATION CLEANING

    • BEFORE AND AFTER TREATMENT CLEANING
  • 11

    MELANIN PRODUCTION

    • MELANIN TYPES

    • WHAT ARE MELANOCYTES?

    • SMOKING & THE EFFECTS ON MELANIN PRODUCTION/MELANOCYTES
  • 12

    HYPER-PIGMENTATION & HYPO-PIGMENTATION

    • HYPER-PIGMENTATION

    • HYPO-PIGMENTATION
  • 13

    COLOUR THEORY - HUE, VALUE & SATURATION

    • INTRODUCTION TO COLOUR THEORY

    • COLOUR WHEEL

    • COLOUR WHEEL BASICS AND VALUE SCALES

    • HUE, SATURATION & VALUE

    • WHAT DOES HUE MEAN IN COLOUR THEORY?

    • WHAT DOES VALUE MEAN IN COLOUR THEORY?

    • HUE, VALUE & SATURATION EXPLAINED

    • SKIN FITZPATRICK SCALE
  • 14

    COLOUR THEORY - ORGANIC & INORGANIC COLOURANTS

    • SAME COLOURANT HUE - DIFF TEMPERATURE (WARM OR COOL)

    • ORGANIC COLOURANTS

    • INORGANIC COLOURANTS
  • 15

    IN DEPTH PIGMENT SCIENCE

    • COLOURANTS - CI CODES

    • CARBON BLACK COLOURANT & CI CODES

    • PIGMENT INGREDIANTS - ZINC

    • PIGMENT INGREDIANTS - TITANIUM DIOXIDE (TD)

    • TITANIUM DIOXIDE - LIP BLUSH

    • PIGMENT INGREDIENTS - IRON OXIDES

    • PIGMENT INGREDIANTS - IRON OXIDE RED

    • PIGMENT INGREDIENTS & LIGHTFASTNESS

    • WHAT CAUSES RESIDUAL COLOURS OVER TIME

    • WHEN TO SAY NO TO CLIENTS WITH PREVIOUS PMU
  • 16

    PIGMENT CARRIERS

    • PIGMENT CARRIERS - GLYCERIN BASED

    • PIGMENT CARRIERS - AQUA (WATER)

    • PIGMENT VISCOSITY

    • MATCHING PIGMENT VISCOSITY TO TREATMENTS

    • PIGMENT VISCOSITY AND NEEDLE CARTRIDGE COMPATABILITY

    • WHY DILUTE PIGMENTS?
  • 17

    COVER UP & CORRECTIONS

    • WHEN TO SAY NO

    • WORKING OVER/CORRECTING PREVIOUS PMU WORK DONE BY ANOTHER ARTIST
  • 18

    LASER REMOVAL AND PIGMENT RESIDUES

    • HOW PIGMENTS BREAK DOWN WITH LASER REMOVAL - RESIDUAL COLOURS
  • 19

    INTRODUCTION TO MICROBLADING

    • INTRODUCTION TO MICROBLADING

    • TOUCH UP PROCESS

    • SKIN DEPTH

    • TREATMENT/EQUIPMENT ESSENTIALS

    • BLADE TYPES

    • BEGINNERS MICROBLADING EXAM

    • MICROBLADING TREATMENT - START TO FINISH

    • VIDEO - HOW TO ATTACH YOUR MICRO-BLADE TO THE BLADE HOLDER
  • 20

    BROW POINTS AND MAPPING

    • BROW POINTS & BROW MAPPING
  • 21

    SKIN STRETCHING & POSITIONING

    • SKIN STRETCHING AND POSITIONING

  • 22

    SKIN TYPES, TONES & FITZPATRICK SCALE

    • SKIN TONES & FITZPATRICK SCALE
  • 23

    SKIN TYPES AND RESPONSES

    • SKIN TYPES & RESPONSES - SKIN CHARACTERISTICS

    • SKIN TYPES & RESPONSES - RED HEADS

    • SKIN TYPES & RESPONSES - FITZPATRICK 1-2

    • SKIN TYPES & RESPONSES - FITZPATRICK 5-6
  • 24

    MACHINES, CARTRIDGES & MACHINE TECHNIQUES

    • INTRODUCTION TO MACHINE TYPES

    • MACHINE SPEED

    • HAND SPEED

    • NEEDLE CARTRIDGES & CONFIGURATIONS

    • NEEDLE TAPERS

    • MACHINE GRIP

    • NEEDLE DEPTH

    • MACHINE TREATMENT TECHNIQUES

    • VIDEO - HOW TO SAFELY WRAP YOUR MACHINE - MACHINE COVERS

    • VIDEO - HOW TO SAFELY WRAP YOUR MACHINE - USING CLINGFILM
  • 25

    NANO HAIR STROKE MACHINE BROWS

    • INTRODUCTION TO NANO BROWS

    • MICROBLADING Vs NANO BROWS/HYPER-REALISM BROWS

    • THE BENEFITS OF HYPER-REALISM/NANO BROWS

    • HYPER-REALISM TECHNIQUES

    • HAIR STROKE TAPERS

    • HAIR STROKE DESIGNS

    • BROW SPINES

    • BROW SPINES ON BROWS

    • TREATMENT PROCESS
  • 26

    MACHINE OMBRE BROWS

    • OMBRE BROW MANUAL - INTRO TO OMBRE BROWS AND CLIENT FUNDAMENTAL QUESTIONS

    • OMBRE BROW MANUAL - TOUCH UP PROCESS
  • 27

    COMBINATION BROWS

    • INTRODUCTION TO COMBINATION BROWS

    • TREATMENT PREPARATION

    • TREATMENT STEP BY STEP
  • 28

    SPMU BROW EXAM

    • BEGINNERS MICROBLADING EXAM
  • 29

    PROMOTION, COSTING AND PROFITS

    • PROMOTION, COSTING & TREATMENT PROFIT

  • 30

    WORK POSITIONING

    • WORK POSITIONING
  • 31

    LIP BLUSH ANATOMY & PHYSIOLOGY

    • LIP BLUSH MANUAL ANATOMY & PHYSIOLOGY

    • LIP BLUSH MANUAL LIP ANATOMY & PHYSIOLOGY
  • 32

    LIP BLUSH COLOUR THOERY

    • MELANIN IDENTITY IN LIPS

    • SCULPTED MELANIN IDENTITY CHART

    • IDENTIFYING LIP HUES

    • IDENTIFYING LIP VALUES

    • LIP TISSUE COLOURS

    • WHAT DOES LIP COLOUR VALUE MEAN?

    • TINTS, TONES & SHADES

    • HOW BLOOD & CIRCULATION INFLUENCES LIP UNDERTONES

    • LIP MELANIN & LIP UNDERTONE BREAKDOWN
  • 33

    LIP BLUSH STYLES

    • LIP BLUSH STYLES
  • 34

    MACHINE GRIP

    • MACHINE GRIP
  • 35

    LIP BLUSH SKIN STRETCHING TECHNIQUES

    • SKIN & LIP STRETCH

  • 36

    LIP BLUSH MACHINE TREATMENT TECHNIQUES

    • MACHINE WORK TECHNIQUES

    • VIDEO - ECTHING TECHNIQUE - LIP OUTLINE

    • VIDEO - CROSS HATCHING/SHADING TECHNIQUE -
  • 37

    LIP BLUSH WORK SPEED AND DEPTH

    • WORK SPEED AND DEPTH
  • 38

    LIP DESIGN CONSIDERATIONS

    • LIP SKIN AND TISSUE

  • 39

    LIP BLUSH PRE-DRAW AND DESIGN

    • LIP BLUSH DESIGN & PRE-DRAW
  • 40

    LIP BLUSH PRE-PROCEDURE, CONSENT FORM & AFTERCARE

    • LIP BLUSH PRE-PROCEDURE

    • LIP BLUSH AFTERCARE
  • 41

    VIDEOS - IN DEPTH VIDEOS OF THE LIP BLUSH TREATMENT

    • VIDEO - COMPLETING THE LIP BLUSH OUTLINE

    • VIDEO - COMPLETING THE SECOND PASS OF THE LIP BLUSH OUTLINE (ONLY IF NEEDED)